While you’ve met a few of the characters–Lydia, Abraham, and Billy Poe (on Reading is My Superpower), I thought it might be fun to share an interview with myself about the book. 🙂 There are the usual giveaways at the end of the post, but you’ll also have the chance to ask me YOUR questions. It might take me a few days to get back to them, but I’ll be responding to each one. Who knows, maybe I’ll post a few on social media too! 

Can you tell us a little bit about your new novel, Written in Secret?

Lydia Pelton is a dime novelist who writes romances under her own name but secretly writes crime novels under the pseudonym E.A. Dupin. However, someone is murdering the exonerated criminals whose cases she based her novels on. The police suspect Dupin, but how can a man who doesn’t exist commit murder? Some poor decisions have left her at odds with Officer Abraham Hall, but she’ll never prove Dupin’s innocence without him or find the vigilante who’s determined to prove his love for her through murder.

 What sparked the idea for Written in Secret?

I’ve always enjoyed movies, television episodes, and novels where the concept of a book is brought to life. As a historical romantic suspense author, I was excited to toy with the idea of someone bringing a mystery author’s books to life for nefarious purposes. I’m also a Teenage Mutant Ninja Turtles fan, and the vigilante character Casey Jones inspired the idea of including a villain with noble intentions executed in a very vile way.

 What themes present themselves throughout the novel? Which ones speak most to readers today?

When this story began percolating in my imagination, the country wrestled with “What is justice?” and “How should injustice be handled when we feel our justice system has failed us?” There was lots of rioting, talk of vigilante justice, and discourse on how things should be handled within the constraints of the law. I’m not sure society ever agreed on what those answers should be. I never aimed to answer those questions for my readers but to spark discussion and thought on our response to injustice as Christ-following believers.

Why did you choose 1880 Cincinnati as your setting?

During this period, Cincinnati had a reputation for corruption. Criminals often walked away with lesser sentences or no conviction if they had the right political connections or financial ability to grease palms. Juries, judges, and officers could be and were bought. Elections were known to be rigged, and the citizens felt helpless to change anything. On top of that, the restructuring of police management through a board of police commissioners failed in early 1880. After that, the running of the police department fell under the mayor’s responsibilities. The mayor appointed or fired officers. Sometimes, they were fired for something as simple as having a differing political view. It was a volatile time that actually led to a major riot in 1884 that killed 58 and injured far more. It was the perfect storm for the setting of my novel.

 What will fans of romance love about your story and characters?

I hope readers will love the banter between Lydia and Abraham and how they help each other grow as Christians and individuals. I also hope readers will spy all my little pokes of fun at romance novels and how I purposely twist expectations. 

What was the most fascinating thing you found during your research that shaped your story?

I’ll try to keep this brief because I could talk about this for hours. Bottom line: Dime novels revolutionized reading and were met with significant opposition. Before the invention of dime novels, books cost $1 to $3 each, putting them firmly out of reach for the average worker who only made $5 to $8 a week. Dime novels were 100-page paper leaflets that sold for between a nickel and twenty-five cents and made reading material available to the common man, woman, and child. However, the middle and upper classes generally opposed their existence. Many viewed dime novels as soul-corrupting and leading to an increase in crime from the lower class. Many lobbied to ban them, even though members of all classes read them. This societal dissonance shaped the direction of my story, my heroine’s reasoning for hiding behind a pseudonym, and Cincinnati’s response to discovering my heroine not only wrote romance novels but also mystery novels that dove into the underbelly of the criminal world.

 If readers have read Counterfeit Love, they have already met Lydia and Abraham as side characters. What new things will readers learn and love about them in this new story?

Written in Secret takes place four years before Counterfeit Love and tells the romance story of Theresa’s best friend. While Lydia was firmly rooted in Christ by Counterfeit Love, Written in Secret shows Lydia’s growth in her faith walk. Like many Christians, Lydia feels her relationship with Jesus is good enough. However, when a vigilante uses her stories to commit murder, she’s confronted with the lies she’s used to get published, obtain research, and hide her identity from even her family. Readers will get a front-row seat to her growth, wild imagination, and humor.

Abraham is the sensibility to her madness, although Lydia is a puzzle to him. He first met her when he arrested her and Theresa for attempting to “rescue” a three-legged goat from the circus. She’s a temptation to figure out, but he wants no future with a criminal dime novelist who can’t take responsibility for her decisions. Still, their banter and the need to protect her from the vigilante her books created bring him into constant contact with her. The road to becoming a detective is difficult, but with Lydia in the way, it’s nearly impossible.

 The villain is unique. Can you tell us a little about him?

Lydia’s crime novels featured a detective hero named Billy Poe. In her stories, Billy Poe investigated crimes that exactly matched the cases that inspired the story. However, in each book, before they could be arrested, the criminals met similar fates to the crimes for which they’d escaped punishment. In her fictional world, Billy Poe is the hero, but someone in the real world has taken on Billy Poe’s identity and is murdering the criminals from the original cases exactly how they die in the books Lydia wrote. He leaves quotes from the book on the bodies and claims the deed. However, no one knows who he is. At first, people believe him to be the author, E.A. Dupin, but when it’s discovered Dupin is Lydia’s pseudonym, the police (and hopefully the reader) are left with no idea who the true villain is.

Written in Secret is the first book in the The Art of Love and Danger series. Please tell us about the series.

The series contains three books that follow four friends who each have a talent or career related to one of the arts. Theresa paints and engraves, Lydia is a dime novelist, Nora secretly sings and writes songs, and Flossie creates and paints pottery. Each woman’s art plays a significant role in the plots and how they face the problems around them. And, of course, love and danger will pursue them through each page. Only three of the four friends have books in this series, but you can read Counterfeit Love for Theresa’s story. While each book can be read as a stand-alone, the series will best be enjoyed by reading them in order.

What do you hope readers take away from reading Written in Secret?

My biggest hope is that they’ll walk away having read a story that excited and entertained them. On the “deeper” side of things, I hope readers will walk away knowing that God is still just and able even when there is injustice in the world. Sometimes, God will use injustice to change a person’s heart toward Him, and sometimes, we never get a reason or explanation. But we can act justly, love mercy, and walk humbly with God.

What is a fun fact about this book that readers might not know?

The four friends who call themselves “the Guardians” are inspired by my core critique group and friends, “the Mayhemmers.” We came together as mostly unpublished writers and have now all walked through the published author door supporting each other in our careers, personal lives, and spiritual walks. And that is what each of “the Guardians” does. Each character has qualities loosely based on each of these ladies. I tend to behave like Theresa, Liz Bradford like Lydia, Angela Carlisle like Nora, and Voni Harris and Flossie share some of the same characteristics. It’s been fun tucking in qualities of my best friends into a fictional world. 

What kind of research did you do for this book?

There was an eclectic range of topics I needed to study. I spent the most time researching dime novels, from their history to the publication culture surrounding getting published, then to the societal reaction to dime novels. Of course, I read a few to gain an understanding of their style and content. I also did a massive amount of research on the history of the Cincinnati police department. It was actually a pretty complicated history where dates were incredibly important to make sure I knew who was over the department (a board or the mayor), what resources they had or didn’t have available (telephones before police wagons), how they were structured, where the stations were, and so much more. I adored every minute of it. A special treat was visiting the Greater Cincinnati Police Museum and getting a personal tour from a former chief of police and historian for the museum.

Written in Secret by Crystal Caudill

In the heart of nineteenth-century Cincinnati one woman holds the power to rewrite history.

What happens when fiction becomes reality? In the corruption-infested Queen City, danger lurks in every shadow, but Lydia Pelton refuses to stay silent. She writes under a pseudonym, E. A. Dupin, crafting crime novels to exact justice and right the wrongs she sees in society. When a serial killer decides to be the sword to her pen, Lydia is confronted with the consequences of her words. Four men are dead, and the city blames her.

With murders on the rise, Officer Abraham Hall’s only lead is Lydia’s fiction, and he is thrust into an investigation with the “Killer Queen of Romance.” Despite his misgivings about the woman, he realizes that even with his reputation for catching elusive criminals, he needs her help. But his unexpected attraction to Lydia proves as difficult to manage as the woman herself.

As the mystery unfolds, Abraham and Lydia race to rewrite the ending, not only for Cincinnati’s citizens, but for their own hearts too.

Purchase Links:  Amazon  |  Apple Books  |  Baker Book House  |  Barnes & Noble |  Books-A-Million  | Christianbook  |  IndieBound  | Kobo

Month-Long Blog Giveaway

Help me celebrate the release of Written in Secret and get the word out about the new series. From March 4 to April 1, this giveaway will be open to those legally allowed to enter both domestically and internationally. International winners will be given a prize of equal value as shipping costs are prohibitive. See my giveaway policies for more details.

Prize: homemade book cozy, fuzzy socks, journal, reader mug mat, bookmarks, stickers, tea, and chapstick.

a Rafflecopter giveaway

Month-Long Giveaway #2

Already have the book?? This giveaway is for you. Somewhere in the first fifty pages of Written in Secret is the answer to “What attacked Lydia and Abraham inside the circus tent?” Fill out the below Google Form to be entered for your chance to win a $25 gift card to Amazon or Baker Book House. The giveaway runs until April 11, 2024. The winner will be selected the week of April 12 and notified by email.

Enter Here

Readers, comment with:

What questions do YOU have for me?

If you haven’t gotten the chance to meet Abraham Hall and Billy Poe, here’s your chance!

Written in Secret by Crystal Caudill

In the heart of nineteenth-century Cincinnati one woman holds the power to rewrite history.

What happens when fiction becomes reality? In the corruption-infested Queen City, danger lurks in every shadow, but Lydia Pelton refuses to stay silent. She writes under a pseudonym, E. A. Dupin, crafting crime novels to exact justice and right the wrongs she sees in society. When a serial killer decides to be the sword to her pen, Lydia is confronted with the consequences of her words. Four men are dead, and the city blames her.

With murders on the rise, Officer Abraham Hall’s only lead is Lydia’s fiction, and he is thrust into an investigation with the “Killer Queen of Romance.” Despite his misgivings about the woman, he realizes that even with his reputation for catching elusive criminals, he needs her help. But his unexpected attraction to Lydia proves as difficult to manage as the woman herself.

As the mystery unfolds, Abraham and Lydia race to rewrite the ending, not only for Cincinnati’s citizens, but for their own hearts too.

Purchase Links:  Amazon  |  Apple Books  |  Baker Book House  |  Barnes & Noble |  Books-A-Million  | Christianbook  |  IndieBound  | Kobo  |  Kregel Parable Christian Book Store

Now for our interview with Lydia.

CC: It’s always fun to interview another author, especially when said author is the heroine of Written in Secret. Tell our readers a little bit about yourself.

LP: Do you want the socially acceptable introduction or the real me? Never mind, I’ll give you both. I am Lydia Pelton, the daughter of Dr. Pelton, a respected and well-loved coroner for the Cincinnati Police Department. I attend church services every week, no matter what–thank you, Momma–and am a single, good Christian woman. There. That should make any parent proud.

Now for the part my parents really wish I wouldn’t band about: I am also the author of romance dime novels–no, not the scintillating kind, but you wouldn’t know that by how many people decry romance authors, especially of the female variety. I also write other stories, but not even my parents know that. Only my dearest and closest friends, the Guardians.

CC: You and your friends call yourselves the Guardians? Why? There has to be a story behind that.

LP: When we were in school together, there was this brute of a boy who used to corner girls and force them to kiss him. If they refused, he spread rumors that ruined their reputations. Because he was the schoolmaster’s son, nothing was done about it. Flossie was new to the school, and Nora overheard him bragging to his friends that he would corner her. So Theresa, Nora, Flossie, and I taught him a lesson. While he was swimming in his birthday clothes with his friends, we stole them and lined them with poison ivy. When he returned to school after recovering at home for a few days, he found a note from the Guardians warning him to be a gentleman, or he might find other uncomfortable consequences awaiting him. Since then, we have come together to help protect the defenseless and have a good time together. These women are my sisters at heart, and I don’t know where I would be without them.

CC: Having such a close-knit group of friends is a wonderful blessing. It sounds like me and my Masters of Mayhem group. We probably get in just as much trouble as you, at least in our fictional minds. Speaking of fiction, you said your parents wish you wouldn’t band about being a romance novelist. Why?

LP: Dime novels are a highly controversial topic. There are a great many people who vehemently oppose them and try to get them banned. They argue that they are soul-corrupting and lead to the degradation of a person’s character. It doesn’t matter that these little books–usually 100 pages each and affordable to the general public at ten to twenty-five cents–allow everyday people access to reading. They aren’t the classics and thus have no place in our society. *eye roll* It’s ridiculous really. And heaven forbid if a woman writes romance or, worse, a mystery novel.

CC: Are there many female mystery authors?

LP: There are a few, but probably far more than you would guess by looking on your shelf. E.A. Dupin is generally thought to be a man; however, I know for a fact that he is not a he at all but a she.

CC: And how do you know this?

LP: I suppose I can trust you, but your readers must be sworn to absolute secrecy. It’s dangerous for E.A. Dupin right now. The city is in an uproar because someone is taking his stories, claiming to be the hero, and then murdering the criminals that each story was based upon.

CC: I can assure you, and speak on behalf of my readers, that you can trust us. Who is E.A. Dupin?

LP: Me.

Growing up around police officers and stories of crime all my life, I wanted nothing more than to provide justice for those whom justice has been denied. Cincinnati has a reputation for a corrupt justice system. If a criminal has the right connections and funds, he can walk away a free man or with a lesser punishment, no matter how egregious the crime or how much evidence proves their guilt. But women aren’t allowed to write crime novels. It’s bad enough that they write romantic ones. My publisher accepted my first mystery novel until he realized I was a woman. He had no problem accepting my romance novels, so that is what I wrote for him first. Once I felt secure in my standing with him, I submitted a mystery novel under the pseudonym E.A. Dupin, requiring that Dupin’s identity remain a secret, even from him. It worked splendidly until recently.

CC: And you say that someone is killing people in the name of your fictional hero?

LP: Yes. All of my novels are based on real crimes and criminals who walked away from their deserved sentencing because of corruption in the justice system. I wrote new endings to those stories to bring those poor victims justice. Just ones. Detective Billy Poe was the man who collected all the evidence and proved the criminals guilty, but before they could be arrested, they always died in a manner befitting their crime. Only someone is pretending to be Billy Poe and is murdering the real criminals just the way they died in my books. It’s a horrible situation, and the police suspect E.A. Dupin of the murders.

CC: Then why don’t you come forward and tell them you are E.A. Dupin and couldn’t possibly have committed those murders so they can start looking for the right man?

LP: It’s complicated. Even more so now that I’ve met Detective Abraham Hall. *sigh* This whole situation is a mess, and I just don’t know what to do. Somehow, no matter what happens, I will be viewed as the villain.

CC: Detective Abraham Hall? Why would that matter? Actually, don’t answer that. As much as I’d like to continue this interview, we’ve run out of time and space. If you’d like to learn more about Lydia’s dilemma, her choices, and who this Detective Abraham Hall is, check out Written in Secret.

Month-Long Blog Giveaway #1

Help me celebrate the release of Written in Secret and get the word out about the new series. From March 4 to April 1, this giveaway will be open to those legally allowed to enter both domestically and internationally. International winners will be given a prize of equal value as shipping costs are prohibitive. See my giveaway policies for more details.

Prize: homemade book cozy, fuzzy socks, journal, reader mug mat, bookmarks, stickers, tea, and chapstick.

a Rafflecopter giveaway

Month-Long Giveaway #2

Already have the book?? This giveaway is for you. Somewhere in the first fifty pages of Written in Secret is the answer to “What attacked Lydia and Abraham inside the circus tent?” Fill out the below Google Form to be entered for your chance to win a $25 gift card to Amazon or Baker Book House. The giveaway runs until April 11, 2024. The winner will be selected the week of April 12 and notified by email.

Enter Here

Readers, comment with:

What would your pen name be if you were a dime novelist? 

Reading Is My SuperPower did an interview with Billy Poe on March 3, so be sure to check that out too!

Written in Secret by Crystal Caudill

In the heart of nineteenth-century Cincinnati one woman holds the power to rewrite history.

What happens when fiction becomes reality? In the corruption-infested Queen City, danger lurks in every shadow, but Lydia Pelton refuses to stay silent. She writes under a pseudonym, E. A. Dupin, crafting crime novels to exact justice and right the wrongs she sees in society. When a serial killer decides to be the sword to her pen, Lydia is confronted with the consequences of her words. Four men are dead, and the city blames her.

With murders on the rise, Officer Abraham Hall’s only lead is Lydia’s fiction, and he is thrust into an investigation with the “Killer Queen of Romance.” Despite his misgivings about the woman, he realizes that even with his reputation for catching elusive criminals, he needs her help. But his unexpected attraction to Lydia proves as difficult to manage as the woman herself.

As the mystery unfolds, Abraham and Lydia race to rewrite the ending, not only for Cincinnati’s citizens, but for their own hearts too.

Purchase Links:  Amazon  |  Apple Books  |  Baker Book House  |  Barnes & Noble |  Books-A-Million  | Christianbook  |  IndieBound  | Kobo  |  Kregel Parable Christian Book Store

Now for our interview with Abraham.

CC: Hello, Detective Hall. It is a pleasure to interview you.

AH: It’s Officer Hall. I’m not a detective. Not officially–even if my partner Detective Talbot Lawson refers to me as one. If I help solve the Dupin Murders before the city implodes, it is likely a promotion.

CC: The Dupin Murders? Could you explain what you mean?

AH: I’ve long believed that dime novels corrupt the soul, and this set of murders proves my thoughts correct. E.A. Dupin is the author of eight murder mysteries based on real Cincinnati crimes. Only instead of allowing the criminals to be arrested in his book, the criminals all die through means similar to their crimes. It’s never at the hands of the hero, Detective Billy Poe. Still, someone has claimed Billy Poe’s identity and is now murdering the real men whose cases inspired the books.

CC: Do you have any suspects?

AH: I did, at least until I discovered who E.A. Dupin actually was. Cincinnati suspected Dupin of the murders due to the descriptions and access to information he shouldn’t have included in his books and how closely the murders matched the endings in his books. However, anyone with access to the dime novel could leave quotes from the hero, Billy Poe, on the victims’ bodies, meaning that any of Cincinnati’s 250,000 residents with access to the book, the motive, and the means could commit the crime.

CC: Anyone but E.A. Dupin? Why is that?

AH: E.A. Dupin is the pseudonym Lydia Pelton uses to pen her soul-corrupting novels. I feel like such a fool for having any interest in her. She lied to get her position as a mystery author, manipulated others to get the information needed for her books, and kept her identity secret even though she knew the police were looking for Dupin.

CC: So you don’t believe she is capable of those murders?

AH: Not physically, but she penned each and every one of them. She is responsible, at least on some level, for the deaths of those men. Even if she cannot be held accountable to the point of facing a trial.

CC: And yet you say you are attracted to her?

AH: I was, was being the key word. I should have known when I arrested her and her friend, Theresa, for attempting to steal a three-legged goat from the circus that she was not a woman to be trusted. Yet, the woman captured my interest even after discovering she was a romance novelist. That was bad enough, but I cannot tolerate the deception needed to be E.A. Dupin and the delay to this case she caused by forcing us to uncover her identity. I am determined to keep her firmly in the criminal box of my mind and off-limits from any other influence she may have over my thoughts.

CC: So there is no future together?

AH: Not if I can help it. Perhaps a shift in conversation would be best. Just thinking about her puts me on edge.

CC: Absolutely. I heard that Billy Poe insists that he is carrying out justice by killing these men. What are your thoughts on the matter?

AH: I am no blind idealist. I know our judicial system can sometimes be corrupt, but only God can carry out judgment. And that is what Billy Poe is doing. Enacting judgment, not justice. Justice allows for restoration. Judgment is final. I admit I wrestle with this idea of not being able to combat the injustice of this world, but God has appointed the judges over us, and whatever their rulings, we must abide by them. God will correct things in the end, and who knows? He may use the release of a criminal to glorify His name and bring them back to Him. At least, that is the hope I cling to.

CC: Sometimes Christ is the only hope we have to cling to.  I have one last question before we wrap up.  What about Lydia Pelton draws you to her, even when you don’t want to be?

AH: I told you that we are done with that topic. Lydia is a puzzle I cannot figure out. It is like two people reside within her—one capable of writing such evil that it sets a city to rioting and one who is determined to bring light and hope to the world. She is fanciful yet serious, intelligent yet foolish, considerate yet selfish. She is a woman of contradictions, and she makes my head hurt.

CC: Don’t all women make men’s heads hurt? I look forward to reading about the headaches she brings and how this case works out for you. I’ve met Billy Poe, and let’s just say he’s one twisted man.

AH: Wait, you know who he is?

CC: And you will too. Eventually. Readers, I hope you’ll pick up Written in Secret and see if you can beat Abraham to the revelation–and see if maybe Lydia is the one who will give him a lifetime of headaches instead of just a season.

Month-Long Blog Giveaway

Help me celebrate the release of Written in Secret and get the word out about the new series. From March 4 to April 1, this giveaway will be open to those legally allowed to enter both domestically and internationally. International winners will be given a prize of equal value as shipping costs are prohibitive. See my giveaway policies for more details.

Prize: homemade book cozy, fuzzy socks, journal, reader mug mat, bookmarks, stickers, tea, and chapstick.

a Rafflecopter giveaway

Month-Long Giveaway #2

Already have the book?? This giveaway is for you. Somewhere in the first fifty pages of Written in Secret is the answer to “What attacked Lydia and Abraham inside the circus tent?” Fill out the below Google Form to be entered for your chance to win a $25 gift card to Amazon or Baker Book House. The giveaway runs until April 11, 2024. The winner will be selected the week of April 12 and notified by email.

Enter Here

Readers, comment with:

What do you think, readers? Do you think books have the power to corrupt someone?

Creating a Cover

The process of creating a cover rarely involves me beyond the initial form I fill out to my publisher of critical information about the story that might work its way onto the cover. Generally, other than seeing the final product and saying I like it, that’s about as involved with the process as I get. However, with the We Three Kings Romance Christmas Collection, the experience was very different.

The Draft

Cara Putman and Angela Ruth Strong are my co-authors in this collection, and all three of us were sent the cover asking for input on how it might be tweaked. Really the only element from our story on the cover other than the snow indicating winter/Christmas was the ornament of the three kings. The ornament is one that my characters buy at the end of the story, and it reappears in various forms in the other two stories. You can see the original cover they sent us below:

It wasn’t a bad cover, we just were afraid it wasn’t compelling enough for readers to pick up. Especially when compared with the previous novella collections in the series: Joy to the World and O’ Little Town.

These covers were stunning, in my opinion, and I felt like our cover didn’t match the “feel” of these other two. After tossing some ideas around with Cara and Angela, I decided I wanted to play in Canva, an image creation program. I’m a pretty tactile person, and this was how I process anything that requires a visual image. After talking with a friend who is a cover designer, one of the things I realized that was missing was that “aisle”  or framing feeling. The columns in Joy to the World draw your eyes to the house and up to the title. In O Little Town, you have the lamp posts creating that same sort of effect.

Playing Around

Using Cara and Angela’s suggestions, I brought in more trees to create the framing feeling. But in our conversation, we also brought up the fact that each of our stories has to do with some form of light. My story is “Star of Wonder,” Cara’s is “Beauty Bright,” and Angela’s is “Perfect Light.” And considering our stories connect to the three Weise (wise) men, the cover would probably benefit from having a star. I’m getting pretty savvy at using Canva with layering, and so after lots of playing with removing backgrounds and editing various features, this is the mock-up I came up with:

Making the layers match in coloring is something I’m still learning, and since this was just me playing around, I didn’t bother with even trying. I sent the mock-up to Angela and Cara but did not intend to send it to Kregel. I responded with some verbal tweaking ideas that we’d discussed, but I didn’t mention I’d created a mock-up or anything. Design is not something I have a lot of confidence in, and besides, it was more or less just playing for my own sake so I could communicate some suggestions without overstepping.

However, Angela added my mock-up to her email when she sent in her recommendations. I am so thankful for her boldness in doing that. It gave a much-needed encouragement boost, and Kregel’s response was equally encouraging. And I think you might understand why when you look at the two options they sent to us afterward:

Option 1:

While that was better than the first one, we unanimously agreed that the second option was the favorite. And now, I get to reveal the FINAL cover of We Three Kings: A Romance Christmas Collection.

Cover Reveal – the FINAL Cover

Didn’t they do a phenomenal job? AND LOOK!!! They took my playing-around mock-up and turned it into something beautiful!!!! I’ve always loved my covers from Kregel, but this one will always have a special place in my heart (and on my Christmas tree). God is so good to bless me with that sort of encouragement, and I am so grateful that He used Angela to place it into Kregel’s hands. Now we just have to wait for it to release in September. Want to know more about each of our stories? Here is the blurb and preorder links!

We Three Kings: A Romance Christmas Collection

In this Christmas collection, Weise men still seek Jesus–and love

Best-selling romance authors Caudill, Putman, and Strong follow three generations of the Weise family in this third collection of Christmas novellas from Kregel that will prove just as popular as the previous award-winning volumes.

“Star of Wonder” by Crystal Caudill
The Christmas-themed maiden voyage of his family’s grand steamer ship was supposed to be Aldrich Weise’s chance both to instill investor confidence and to romance Celestia Isaacs. Instead, he must foil a criminal and leave his lady love behind forever.

“Beauty Bright” by Cara Putman
Lieutenant Charles Weise served as a Monuments Man after World War II and now works to restore stolen art to rightful owners. Captain Lillian Thorsen pairs up with him not only to return treasures but also to fix the war-torn lives around them.

“Perfect Light” by Angela Ruth Strong
Essential oils mogul Brendon Wise is drawn to Lacey Foster, the event planner for his huge Christmas lights festival. But when he inadvertently makes a spectacle of her on television, Lacey wants nothing to do with him. Will a chance to give gifts to those in need at Christmas be the key to discovering common ground–and maybe love?

Preorder Links:  Amazon  |  Baker Book House  |  Barnes and Noble  |   Books-A-Million

What do you think of the cover and the process?

Before all this happened it was my goal to have a short story written and edited for my newsletter subscribers and the draft of my second book 3/4 of the way done before edits on my first book came back. I’m happy to announce that I have met at least ONE of those goals (though I am a good way closer to my second book goal than before all this happened). I even created a cover, which is substantially better than the cover I designed for the deleted chapter. Without further ado, here is the cover and blurb for my short story:

Banking on Love

She expected to save her brother, not rob a bank.

November 1884

When Eunice Reed discovers her younger brother has been arrested for public intoxication, she travels from Cincinnati to Chicago to save him from himself. But public intoxication is the least of their problems. Irvin is tangled up with a dangerous bank robber. Will the love and ingenuity of a sister be enough to save Irvin from making the biggest mistake of his life?

This short story is exclusively for my newsletter subscribers. Not one yet? You can sign up here. My newsletter crew members are the first to know about titles, book covers, launch team member callouts, contests, and they get a monthly chance at winning a $15 Amazon gift card.

So was this post a shameless plug for my newsletter? Yep, but I put a lot of work into this 7500-word baby, and it’s one I hope you’ll enjoy.

Research: Love It or Hate It, You Gotta Do It!

Research. You either dread it or love it. Regardless of your sentiment, as a diligent writer, you have to do it and do it right. Whether new at the researching game or old hat, it is my prayer that this post will give you a little bit of guidance, a few resources, and a “whole lotta” inspiration.

I will be tackling this from the historical fiction angle, but anything written here can be applied to any genre’s research needs.

Where do I start researching?

Think of the act of researching as similar to drawing a tornado—you start with wide broad spirals that narrow down to a very focused point the closer you get to the ground, or in this case, your story.

With this in mind, I recommend starting wide and shallow before you ever write the first word of your story. Get a feel for what the politics, economy, culture, major events, fashion, etiquette, industries, technology, and social constructs were like for the setting of your story. These could have potentially content-altering information that can cripple a story if you find out too late.

Honestly, my favorite way to get a broad overview is to find children’s history books on the topics. They often have lots of interesting tidbits while giving you a broad sense of what is going on. It also helps to guide you in to more narrow and deeper research.

Once you have a general understanding of the times, then you can really narrow in on the specifics of your character and situation. Below I’ve listed some topics for consideration and some guiding questions to help you determine what is going to matter most to your character.

Major Topics for Consideration:

Each story is going to have unique needs, so you need to gauge your research based on those needs. If your story isn’t going to have a huge political influence, stop researching politics after you have a general feel for your story’s need. If your story has a rich socialite and a poor man, you are going to need to know the intricacies of upper-class society’s expectations and how they differ from someone who has never experienced it. I think you probably get the idea. 😉

Politics: What major political events were going on during the setting of your story? How might they affect your characters? Most of us don’t live in a bubble, and what is going on in the world filters into our lives and our discussions. Take that into consideration to be sure that there isn’t something that would greatly impact your story’s plot.

For example, if you have your character’s father the owner of a railroad during the railroad strikes, that is going to affect your character in at least some manner. If your heroine lives during the era of growing awareness of women’s rights (a much longer period than you might realize), how will this influence what your character believes, thinks, and says?

Culture: This means looking at the region and locale of your story. What foods, activities, and sayings are common to that area? Are there certain expectations that aren’t included elsewhere? Do they have certain fashions? Are there certain people groups common to that area that would influence the culture of that city?

Cincinnati is heavily German. When I moved here, I experience lots of new-to-me foods, building styles, and a TON of Catholic schools. There were two for the area I’d grown up in. Do your research and you’ll be surprised about what will really add richness to your story.

Economics and Social Status: Different social classes have different expectations and behaviors. How are those going to affect your character? What obstacles will that create? Consider the careers they would be likely to have. What industry do your characters rely on? What is going on in those industries which could affect their lives? The more you know about these things, the stronger your story will be.

When researching my manuscript Counterfeit Love, I discovered there was a “Long Depression” lasting from 1873 to 1896. At the time, they called it the “Great Depression.” What I learned changed and set the baseline for the struggles my heroine faced, even though I never directly connected the two for my reader.

Organizing the Research

As much as I hate to admit it, taking notes which are easy to reference is critical. It is really important to keep a running bibliography so that you can back up your research when questions, and you can reference something if you get confused as you look over your notes.

I use a program called Scrivener, and under the research tab, I create folders. My “big folders” are named by the topic: Setting, Etiquette, Fashion, Gardening, etc. My broad needs are labeled for quick reference.

Inside each folder, I break it down to it’s smaller component topics. My current character is a master gardener, and I am a black thumb, so under my gardening folder I have topics like Master Gardener (which will include examples, requirements, real people, and their gardens which I can reference), Plants Heroine Works With, etc.

Beyond that, each book resource will get its own folder. Each website gets a single text document. I name these text documents and book folders by the name of the resource, and also by the topic if the resource is focused on a single topic. I take my notes in a table format:

It is a bit tedious, but I do find that it has been invaluable in brainstorming, reviewing information, and finding a specific fact quickly.

Each person has their own method, this is just mine, so do not feel like you HAVE to do it my way. Do be sure to keep track of your resources though. You never know when you will have to justify something you wrote.

Conducting Research

When it comes to conducting research, it is easy to get lost in the mire of possibilities. You can visit museums, websites, historical societies, read history books or primary sources, travel, or even search satellite maps.

Most of my research is done from home and online. To find my resources, I usually start with a search of my local library’s catalog or a Google search to find some reputable resources. Yes, I even go to Wikipedia—but only as a starting point to direct me somewhere else. I get what information I can, and then I look at their bibliographies. This is how I narrow down what I am going to read.

I prefer diaries, books, and newspapers written during the era I’m writing. This can be difficult and expensive if I’m not careful. I highly recommend seeing if your public library has a subscription to Historic Newspapers websites. Mine has several. From home, I can read newspapers and search for topics in those newspapers for free. It is marvelous.

For books, there has been a wonderful movement to digitalize old books and most of them are free to read. Below I’ve given you a list of my favorites. You can search by title, year, subject, or even keywords. It has been a lifesaver, especially during these strange times which makes research extra difficult.

While finding books from eh 1880s can be expensive and difficult, there are a lot of books that have been digitalized and can be searched for free. Below, I’ve given you some of my favorites. 

Online Resources

https://babel.hathitrust.org/ – This is my favorite resource. It can take some weeding through, and you’d definitely want a specific title, but I have found countless resources here.

https://books.google.com/ – They list them all, whether you can read them or not, so just make sure they say Free E-book when you click on it.

https://archive.org/ – This one has gotten in trouble lately for pirating current books, so make sure you are only looking at books printed before WWI. Generally, I only go to this website once I have a specific title in mind. There are usually multiple copies of the same book and it does take some weeding through.

Search for the historical society of the area you are researching. Some of them have online resources, some will be thrilled to talk to you and help you out, and some will never answer back. Either way, they are a go-to resource for information you would never have imagined.

How to Avoid Rabbit Trails

Oh, the wonderful things you can find when researching! And oh how much time you can waste. What helps me to not waste hours down a rabbit trail (and I still do often), is to keep the specific thing I am researching in mind.

When I come across something else that strikes my fancy but isn’t what I need at that particular moment, I add a note and the website link to a folder I title “Research This Later.” 90% of the time I don’t go back to it, but having it tucked away for later helps me to release the rabbit trail and stay focused.

It’s a simple trick, but it works well. You could also set a timer for how long you are going to research this topic, but I find I turn those off and just keep going.

While writing your actual manuscript, I recommend you do not go and research something the moment you find you need it. Just make a note in your manuscript like this: [RESEARCH FASHION]. The primary concern with drafting is getting the story down as quickly as you can. Research can cause you to lose that momentum.

How do you decide what to use?

Throw all you want or find interesting in your first draft. This is your place to just see where the story takes you. Once you begin the revision process you can decide what needs cut. To make that decision, ask yourself: “What does my read absolutely need to see and understand the story?” and “Does this slow my story down?”

If it is needed AND slows your story down, see if you can change up the presentation of the information. Can it be communicated briefly through fascinating dialogue?

If it isn’t needed, even if it doesn’t slow your story down, you’ll probably need to cut it. You can always leave it and see what beta readers think. However, what I’ve observed in today’s readers is the more concise you can be, the better.

Cutting that beloved material from your first draft can be hard, but you can still use those materials in blog posts, social media posts, and promotional opportunities later on. You already have the content, and readers may find it interesting.

There is really is so much more that could be said about research, but I have surpassed my word count. If you have questions or want to learn more, feel free to contact me.

While I struggle to make friends with people existing outside of fiction–I can’t say real people because my fiction characters DO become real to me–I always get very excited when it comes time to meet my newest characters. I thought it might be fun to take you through a little bit of my process as I get to know a character I’m developing for a short story. At this point, I know VERY little about my character. I’ve already brainstormed a few ideas with my critique partner, but Harriet is still very flat on the paper.

What I do know:

Harriet Carmichael is a bit of an outsider to the upper-class society in which her family partakes. She goes beyond avid gardener to more of the botanist level, and she relates better to the plants than people. In fact, most people find her odd even though gardening was a perfectly acceptable hobby for upper-class women of the time.

She is forced to attend the Christmas party of a woman who is skilled at double-edged compliments and making Harriet feel even more insignificant than before. However, while at this party, she receives a note or a gift (not sure which yet) from a secret admirer. No matter how much she wishes it were true, she can’t believe its authenticity. However, something happens (again, don’t know what yet) will send her on a hunt to discover the true identity of the letter writer. Was it another cruel joke of the woman, or had someone really seen her and wanted to get to know her better?

That’s it, that’s all I really know right now, but I’m really excited about writing this brief story. Depending on how it turns out, it may be my Christmas gift to my newsletter subscribers. But I digress…

After attending the Online Character Summit this weekend, I am determined to take some of what I have learned and carve Harriet into a deeper more human character that we can all relate to on some level. So here we go:

Getting to Know Harriet

This portrait by George Clausen is how I physically envision Harriet at the moment. She’s nothing extraordinary, and her clothes are rather dull. She tends to wear browns in order to disguise her constant work in the soil. From here, it becomes sort of an interview process.

Me: So Harriet, who are you? Why do you feel you that you don’t fit in? It can’t just be your love of plants.

Harriet (rubbing hands together and then tucking them behind her when she finds dirt under her nails): I don’t really know much about people, and honestly, I don’t understand them. People are unpredictable. Plants follow certain rules, I know what they need to coax them into vibrancy, which ones to pair together, and which ones to plant in order to entice or repel certain insects or animals. I love being able to create and work within God’s creation. Plants are exactly what they are supposed to be. People? Not so much.

It’s not that I don’t like them, it’s that I don’t know what to make of them. Some are genuinely who they appear to be, others opposite from what they present to the world. I have a few friends, but mostly, I am uncomfortable around people. I don’t know what to say. I don’t enjoy the same things as my peers.

I like books about gardening, plant life, and even scientific articles about altering plants to be more sturdy against the elements. Miss Austen, Mr. Dickens, and the such leave me baffled. I can play cards, play piano, and embroider as required, but why would anyone want to do those when you can be outside? In fact, I hate winter. I spend most of it planning my next garden or tinkering in the greenhouse/conservatory. The best days are the days I can go to the university and work in the botany department (need to check that was a thing then).

Oh, thought! Have her compare different people/personalities to different types of plants!

And so it will go for a few days. Harriet and I will be having some deep conversations and some lighter-hearted ones. What are the things she likes? The things she fears? What does she want more than anything? What does she believe about herself? What does she need to learn? etc. These are hard questions to draw out, but I love the excitement of it.

Just so you don’t think Harriet is fully developed before I put words on paper, this initial examination is rarely what she ends up looking like as I actually write. Harriet will grow and define herself, shedding some of the things I thought we decided in the beginning. She will develop her own voice and become a real person. Even scarier, she will start making her own decisions and direct my story in ways I never envisioned.

I hope you enjoyed a little sneak peek of my process in developing characters, now I really am going to get off here and dive into uninterrupted conversation with Harriet. I’m starting to get caught up on reading, so look for more steady book reviews in the coming months. 🙂

Do you like gardening? What things do you think Harriet will need in order to rightly portray someone who loves plants, maybe even more than people?

“It is a truth universally acknowledged, that a person in possession of voices in their head, must be an author.”

Okay, so not the most eloquent remastering of the Pride and Prejudice quote, but a truth all the same. Only for authors is it socially acceptable to be insane. If anyone else talked about hearing voices in their head it would be a one-way ticket to the asylum. But voices we hear – the voices of our characters.

A couple months ago, I talked about developing our “Author Voice”, but sometimes what I find even more challenging is developing unique character voice. Someone once told me that each character must have a voice so unique you can read a line or two without an identifier and still be able to determine whose POV it is or who is talking.

Am I the only one that cringed and wanted to hide their manuscript?

Over the last few months, I have developed a few tricks to help me create these unique voices, especially in my character POVs.

Character Voice Hints

1. When writing in a certain POV, I try to sink into what is called Deep Point of View. Essentially it is writing like the entire scene is happening through the thoughts of the character without actually being thought dialogue. 

Example: 

Instead of: She touched his forehead to check for fever.

Try: Burning heat suffused the air between her palm and his forehead. Oh no. The fever had returned.

2. Give certain frames of references to each character. 

Example:

My heroine grew up under the guidance of her military grandfather, who treated her just like a soldier. When writing in her POV, I use military terms, descriptions that line up with military thinking, and actions that reveal her military upbringing.

“His words cannonballed into the soft soil of her soul, crushing it beneath their weight and force.”

My hero, however, does not have this upbringing, but he is a Secret Service operative. So I have him behave, think, and speak like one.

“Edward beat him to the corner seat that gave a clear view of the room. Only criminals and lawmen worried about protecting their backs while observing others.”

Please note, these are unpolished sentences, but they are just to give you an idea of how to work that in.

3. Give them unique phrases and quirks.

Example:

The heroine may say “Oh skunk!” when she is upset, while the hero may rub at a hidden rock in his pocket.

4. Take into account their education level.

If the heroine has had a lot of education, then her word choices should reflect it, but if she is a self-taught woman her choices may be different.

Example:

“The sunset is absolutely exquisite tonight.” vs “It sure is a pretty sunset tonight.”

5. Consider Dialect

Each region has its own turn of phrase and accents. In July, my family and I went on a mission trip and one of the leaders was from Minnesota. Her “o” sounds were unique as well as her use of “You betcha” and “Oofta sakes.” If your characters are from different regions or ethnic backgrounds, take that into consideration.

Example:

One of my villain’s henchmen is Irish. I did a little research and made sure I wrote the dialect correctly and even worked in some sayings into the conversation.

“May the cat eat ye, and the devil eat the cat!” (My personal favorite.)

Your Turn

How do you help the voices of your characters to stand out as unique? Are there certain resources you use to help? If you are comfortable, share a couple examples of your character voices.

Voice seems to be one of those elusive things I have encountered as an aspiring author. What is it? How do you know what your voice is? How do you know if it is unique? Until recently, I just avoided the whole issue because it seemed so convoluted.

But the day must come when we chase down that elusive concept in order to fully develop into who we are. So here it is, wrong or right, my own view and explanation of voice.

Author Voice:

An author’s voice is not one tangible element in a novel, it is the culmination of all the flavors an author brings to their writing. From genre choice, to settings, typical characters, humor, to even word choice – it all goes to develop a unique voice.

Take a look at this picture:

What story comes to your mind?

My first thought was a woman lying in bed, fumbling for a shoe to throw at the cat that never stops meowing out her window. Typical image? Yes, but give me time and I will develop it into a storyline that is unique. What if she killed the cat by accident? And what if it was her neighbor’s prize winner? Or even better, there was a note attached to it revealing a danger no one could have foreseen. Oh, so many ideas are skittering through my mind…

Maybe your first thought was a mystery, a ghost story, or something altogether different. Your author voice can change depending on your genre choice, and most of us tend to pick a particular genre and stick to it.

Three Examples:

Mary Connealy has a voice I love. She has humor focused on the cowboy days of the west. Her females are almost always strong, independent women with quirky ways. Her characters are always unique and at odds with each other. Whenever I pick up one of her books I know there will be an element of danger, sweet romance, a splash of humor, a cowboy setting, and characters that make me smile.

Jen Turano is another author with a unique voice. Whenever I pick up one of her books, I know they are going to take place in a city setting, with characters who are oddball in some way, danger will ensue, and hilarity prevails. When I need a good laugh, I turn to her or Karen Witemeyer.

My friend and critique partner, Joanna Davidson Politano, will be releasing her debut novel in October. While I won’t share details of her story now (you will have to wait until next month) Joanna has a voice that makes me swoon. Whenever I read her submissions, I know I will step into a Regency world clouded with mystery. Her books read like a mix of Bronte, Daphne Du Maurier, and Dickens. To read her work is to float through a world that entrances and intrigues, and I absolutely cannot wait for you to read her books!(Okay, swooning over.)

Bottom line, your voice is what a reader can expect to find when they pick up your book.

Finding Your Voice

Evaluate your writing. Do you notice certain trends? Are your stories dialogue heavy? Witty? Detail oriented? Do you add humor to your work? A little? A lot? Do you have odd ball characters? Do you choose a particular type of hero?

What settings do you tend to choose? Cities, the country, a particular region? Are they darker, brighter? Winter, Summer, Autumn, Spring? That can change with each book, but if you notice a particular trend, that just may be part of your voice.

Is your writing very formulaic or is it organic? Susie May Warren is very formulaic in her writing. She works in twenty chapter patterns and has a plan of what has to happen in each segment of her story. For others, there is no discernable pattern beyond the standard three-act plot.

By evaluating your writing, you can determine your strengths and weaknesses, elements that you want to refine and improve upon, maybe even elements you want to weed out of your writing altogether.

My voice is still developing, but I have decided that my voice includes a few elements: Danger and murder plots, women who are independent but get into lots of trouble, heroes who generally fall into the law enforcement category, clear villains, a splash of humor (although nowhere near the amount I thought I would have), and broken families. Forgiveness, redemption, and family are strong threads in what my stories encompass. Do I have a lot of work left? You betcha! Is my voice completely clear and finished? Nope, but I am working on it.

Now it is your turn to share. Comment below.

What do you want a reader to expect when they pick up your books? Have you discovered your own voice? Do you agree or disagree with my view of author voice? What would you add to this?