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A Fictional Non-Fiction Story

Okay, so I’m really breaking away from my normal routine of posting about historical fiction. I still haven’t gotten back into reading anything new (and I’m really really really tempted to revisit some old favorites), but I DID read an awesome writing craft book which was written like a fiction story.

How to Write a Novel Using the Snowflake Method, is an entertaining read whether you are an author or not. Using characters from Goldilocks and the Three Bears, as well as other fairy tale stories, Randy Ingermanson explains his method of preparing for a story in an incredibly entertaining way.

How to Write a Novel Using the Snowflake Method by Randy Ingermanson

Plot: Goldilocks has always wanted to write a novel, but everyone told her it was an impractical dream. So she followed the practical route of life only to pursue writing once her kids began school. To learn what it takes, she attends a writing conference where Baby Bear introduces her to the Snowflake method. On her journey through plotting her story, she makes friends with a wolf with a bad reputation, investigates a murder, and is placed in mortal danger when the answer is revealed.

Honestly, it is the FIRST non-fiction book EVER for me to read in two days. I probably would have read it in one, had I the time. So whether you are a reader or a writer, I actually recommend reading it.

It’s not my typical blog post, but hey! It’s Thanksgiving craziness and I’ve been reading a lot of non-fiction in preparation for another story. Next week I am going to post the top ten books I am thankful for, so be thinking about your top ten. I may or may not have a giveaway in mind. ūüėČ

Writing Craft Wednesday: The Story Equation

Have you struggled with flat characters? Difficult to plot stories? A lack of knowledge on how to correct these issues?

 

Oh my! I must admit I fall very solidly in this category. After the ACFW Conference, I realized just how much of a beginner I am. It feels like I have scrapped my story for the umpteenth time, but this time I have a solid plan.

 

One of the many benefits of attending the conference was connecting with Susan May Warren, a wonderful author and teacher. She has created this wonderful online community that is lesson based. It does require a membership, but the investment has been definitely worth the cost so far.

 

Due to the fact I do pay a membership, I have been hesitant to share what I have learned. I would not wish to break any copyright laws nor infringe on what Susie has spent so much time creating.

 

But lucky for you, one of the most helpful sets of lessons has recently been transcribed into a book that, even with access to the courses, I have added to my library of resources.

 

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The Story Equation: How to Plot & Write a Brilliant Story From One Powerful Question by Susan May Warren

 

Susie’s wonderful method is based on developing your POV characters from the inside out. I will not steal her thunder, for the information is not mine to share, but I will say this has become my new favorite method to work my story.

 

It is organic and naturally encourages great depth. The plot, theme, and premise developed around my characters with surprising results. My story already feels stronger with the use of the Story Equation (SEQ).

 

I will not lie.  As a beginner, I have spent many hours doing the courses, redoing them, and reading the book over and over again, working my characters as I did so. My characters are finally (mostly) solid and I am working on developing my major plot points.

 

The Kindle Edition of the book costs only $6.99. Let me tell you, this is an AMAZING price for an invaluable book. It is a quick and easy read, and easy to apply. If you can afford a monthly membership to her community, The Novel Academy, I would HIGHLY recommend that as well.

 

Below is the book blurb from Amazon. If you have any questions or experiences with the SEQ or Novel Academy, please comment below. I am so excited to share this resource with you!

 

 

“Discover The Story Equation!

One question can unlock your entire story! Are you struggling to build a riveting plot? Layered characters? How about fortify that saggy middle? Create that powerful ending?

You can build an entire book by asking one powerful question, and then plugging it into an ‚Äúequation‚ÄĚ that makes your plot and characters come to life. You‚Äôll learn how to build the external and internal journey of your characters, create a theme, build story and scene tension, create the character change journey and even pitch and market your story. All with one amazing question.

Learn:

    • The amazing trick to creating unforgettable, compelling characters that epic movies use!
    • How to create riveting tension to keep the story driving from chapter to chapter
    • The easy solution to plotting the middle of your novel
    • The one element every story needs to keep a reader up all night
    • How to craft an ending that makes your reader say to their friends, ‚ÄúOh, you have to read this book!‚ÄĚ

Using the powerful technique that has created over fifty RITA, Christy and Carol award-winning, best-selling novels, Susan May Warren will show novelists how to utilize The Story Equation to create the best story they‚Äôve ever written.”

– Blurb from Amazon

Writing Craft Wednesday: Michael Hauge’s 6 Stage Story Structure

In my search for the perfect story structure and plotting, I have read many books and continue to do so. However, so far, Michael Hauge’s 6 Stage Story Structure has been my favorite. I love his linear, clear-cut¬†structure.

 

Mr. Hauge’s structure is centered around script writing and is very formulaic. Although the percentages are more a reference to script writing, they can be loosely used for novel writing.

 

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Stage 1 ¬†– Setup or “Everyday Life” ¬† ¬†(0%-10%)

Outer Journeyroad-1165069_640

  • Introduce your hero in their everyday world
  • Create identification with 2 or more of the following:¬†
    • sympathy
    • put them in jeopardy
    • make them likable
    • make the hero funny
    • make them powerful

Inner Journey

  • The hero exists completely in their identity.
    • Their¬†identity may be centered on what they do, their religion, or how they want others to see them.
    • Their identity is what protects their core essence. (People pleaser vs “I am fine the way I am.”)

 

 


Turning Point 1 – Presented with an Opportunity (10% marker)

Outer Journey 

  • Creates in the hero a desire to move into a new situation, something new
  • This is not the desire for the true endpoint.

Inner Journey

  • Hero gets a glimpse of what it would be like to live in their essence
  • They refuse the call to change

 

 

Stage 2 РNew Situation   (10% Р25%)open-doors-1518244_640

Outer Journey

  • The adjustment
    • What are the new rules?
    • How can I get along?
  • Usually, hero believes it will be easy.

Inner Journey

  • Hero gets a glimpse of what it would be like to live in their essence.
  • Reject living in their essence.

 

 

Turning Point 2 – Change of Plans (25% marker)

Outer Journey

  • The visible end goal is established.
  • The character realizes, “No, I have to do this.”

Inner Journey

  • A foot in who their initial identity is and a foot in who they really are – their essence.¬†
    • They struggle back and forth with who they are and what they were.

 

 

Stage 3 РProgress  (25% Р50%)

Outer Journey

  • The plan seems to be working.
  • There must be conflict, but the obstacles are avoided, overcome, delayed, or by-passed.

Inner Journey

  • They are still straddling the fence of their essence and identity.¬†

 

 

Turning Point 3 – The Point of No Return (50%)

Outer Journey

  • When the hero is closer to the goal than the start, town-sign-1158385_640.jpgand they have become so committed they burn their bridges, making it impossible to turn back.
  • The hero’s life as he knew it is over.

Inner Journey

  • Their identity is stripped away.
  • They realize their essence and begin pursuing it.

 

 

Stage 4 – Complications and Higher Stakes (50% – 75%)

Outer Journey

  • It is more difficult to accomplish the goal, but also more important to accomplish.
  • They have more to lose.

Inner Journey

  • They continue pursuing who they really are.

 

 

Turning Point 4 – The Major Setback (75%)

Outer Journeydinosaur-1564323_640

  • The reader has the sense that all is lost.
  • The plan they had is out the window but they can’t turn back.
  • They must make one last push or die while¬†trying.

Inner journey

  • The hero has fully committed to living in their essence but now the outside world starts coming in and frightening them.¬†
  • The hero retreats back into their identity. They run away from who they are.

 

 

Stage 5 -The Last Push (75% to ?)

Outer Journey

  • Do it or die while trying.
  • Everything is put on the line.

Inner Journey

  • They realize they don’t like who they were anymore. They have had a taste of who they truly are and they have to go after it.
  • They have to find their destiny, even if it means risking everything to get what they want.

 

 

Turning Point 5 – Climax (% Depends)

Outer Journey

  • All the problems are resolved.
    • The hero can fail, succeed, or change their mind.
  • The length of the climax depends on how many problems you have to resolve.

Inner Journey

  • The moment they fully realize who they are.

 

 

Stage 6 – The Aftermathlove-163690_640

Outer Journey

  • Responding the climax emotionally.
  • The wedding, reconciliation, etc.

Inner Journey

  • The hero is going to live their new life as they truly are.

 

 

Interested in examples and learning more about either Mr. Hauge’s structure or the hero’s journey? I highly recommend buying the audible recording of his and Chris Vogular’s¬†presentations. It is worth every penny. I have listened to it half a dozen times already and plan on listening again as I drive to Nashville for the ACFW Conference next week.

 

Michael Hauge’s website also does a great job showing examples.

 

Tell me what you think about this plotting format? Does it make sense to you? Are there any movies or books you can identify with this plot structure?

 

Writing Craft Wednesday: Conflict – Make It Worse

I took a couple weeks off doing only writing prompts while I figured out my new schedule for my blog. My new goal is to alternate between Writing Prompt Wednesday with Writing Craft Wednesday. So today marks the first Writing Craft Wednesday!

Today I am going to finish up our look at GMC: Goal, Motivation, and Conflict. Here is a list of the previous GMC posts:

 

Conflict: The Heat of the Story

So what is conflict? If goal is the “what” and motivation is the “why,” then conflict is the “why not.” Conflict is what your character must face in order to achieve their goal.

 

 

External conflict often comes in the form of a physical being, usually the villain. The villain causes problem after problem for the hero or heroine. All five senses are engaged when dealing with this maniacal¬†menace. You can smell them, see them, feel them, hear them, and depending one what is going on… taste the blood they draw.

 

Internal conflict is more subtle. Whatever keeps the hero or heroine from learning their life lesson, that is your internal conflict. Just like anything else internal, it is emotional. Perhaps it is the self-conscious voice which keeps them from seeing their worth. Perhaps it is the guilt of not being there for a loved one when they were needed most. Whatever it is, it evades the five senses.

 

 

Why include conflict?

Readers like to see characters tested, run through the wringer, and facing their worst fears. Anticipating an explosion of conflict is what keeps the reader turning the pages.

Besides the excitement conflict brings to a story, it also brings depth and complexity to the characters. It is through conflict characters learn to dig withing themselves, grow and rise to the challenge. Through conflict they become a hero.

 

Think something is bad? Make it worse.

So how do you make the conflict engaging and page turning?¬†Strife, tension, dissension, and opposition are key elements in creating conflict. Start with making a list of bad things which could stand in your character’s way.

 

Found one? Good. Now make it worse. Worse? YES! WORSE!

 

For one of my characters she is potentially losing her house. Initially, I started with the loan belonging to the bank, but then I applied the above principle. How did I make it worse? The loan belonged to a vicious loan shark who will get his money one way or another. Does that create more problems and stronger conflict? You betcha!

 

The stronger your conflict, the stronger your book.

 

Think your character has it bad?

 

Make it worse.

Character Motivation – Answering Why

Last week we took an In-depth Look at Character Goals. This week we will examine the why of external and internal goals. At the end of the post you will find application questions to guide you on your way.

 

What is Motivation?

 

Goal and motivation co-exist. You cannot have one without the other. In fact, when defining our goal, motivation is taken into consideration. Motivation is the reason why they take action. It is what drives them.

 

The character wants his goal because of the motivation. It is the why.

 

 

Make It Compelling. Make It Urgent.

 

Motivation is important. It is a major element which¬†helps us to empathize or connect with the character.¬†My motto with motivation is “Make it worse.” This adds to the urgency of the goal.

 

The great thing about the fiction world is you can do what ever you want as long as the reader understands the why.

 

Your character has a loan they cannot repay? Make it worse. A bank will repossess your house and the items you own, but what a merciless loan shark would do can be far worse. Imagine how the plot would be different for each of those scenarios. Which story line will be more compelling to read?

 

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Taking Motivation a Step Further

 

Motivation shouldn’t only drive your overarching goal, it should drive your character’s every decision and action.

 

  • Why did honest Joe steal from the bank? Because his family was being held captive and would be killed if he didn’t.

 

  • Why did the rich heiress choose the even richer rogue instead of the man she loved? Because her family was in financial ruin and her little sister would not be able to receive treatment without his infuse of money.

 

Give a reason which will make your characters willing to risk anything and everything to achieve their goal. Give them no other choice. A weak motivation leads to a weak story.

 

One Last Tip

Character motivation needs to match your actual character. Make it possible. Your story can be wildly crazy and believable as long as you have the right motivation.

 

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Would a Union woman cut off her hair, pretend to be a mute boy in a Confederate prisoner camp, and secretly help Confederate men to escape? (If you are a history buff at all, you can imagine the risks that woman is taking. Doing so is completely against her best interest.)

 

If you give her the right motivation, it could be a completely believable story.

 

Application Questions:

  • What is your character’s goal?
  • What is their motivation?
  • How can you make it worse?
  • Is your motivation believable for the character? Would they really make that choice?
  • Do your characters have a purpose that moves them toward their goal for the scene you have created?

 

Share some of your answers in the comments below. I would love to hear your thoughts. Are there any other guiding questions you would add?

 

May God bless your journey to follow “The Write Call”,

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