by Crystal Caudill | Dec 28, 2021 | Writing Craft
As I’m still trying to read through my book for the challenge, I’m going to post another answer to one of the questions a local 8th grader posed to me during her “Ask an Expert” project. As a reader, I thought you might find it fascinating, and if a writer, I thought it might be helpful. So here’s this month’s question:
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How do you decide how to form the book? Notes, pre-made plans, etc?Â
In the writing world, we have two classifications (technically three) of writers. Plotters, pantsers, and what I like to call plansters.
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Plotters are the people who plan out every event that is going to happen in their book before they write it. They look at the structure of story, and determine what needs to happen when. Some do high-level plotting and just look at major turning points in the story. Others go down to the nitty-gritty of what will happen in every scene of the book.
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Pantsers are those who sit down and write without anything more than a general idea in their head. They see where the story takes them, which can mean lots of revisions and edits as they get rid of rabbit trails or dead ends from the book. These writers tend to have a natural feel of story, and I really recommend new writers don’t just sit down and write. Try to think through the story and plot things out so that you can learn to understand the important elements of Story and when they happen. I spent two or three years studying story structure and plotting things out before I discovered that plotting wasn’t how my brain worked.
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Plansters is a category name of my own making . We are the rogue black sheep of the writing world. We want to be plotters, but our characters just won’t allow us. I’ve discovered I cannot plan out an entire book even on a high level without my characters taking over, laughing in my face, and taking the story in a different direction than I expected. What I have discovered is I can do a high-level plan of where I need my characters to be in the next 1/4 to 1/3 of the story.
For right now, I’m shooting for my hero to join the board of a house of refuge where possible counterfeiting may be taking place so he can investigate the institution. However, I only have general ideas of what is going to happen to get him there or the order of those general ideas. So as a Planster, I am working toward that goal, but often sit down with no idea of what is going to happen in the scene I am writing until it ends up in words in front of me. This makes for slower writing, but I enjoy it.Â
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All writers do brainstorm though. Before I sit down to write or plan, I’ll think through: What are the possibilities of this chapter? What are the promises to the reader that I need to fulfill? Are there clues I need to drop? What problems need to happen? What is expected in this chapter? What would be unexpected? I don’t always do it, but when stumped, I’ll write down every single idea that comes to my head, whether ridiculous or not and push until I have no other ideas. Then I look back at my list for anything that might be unexpected and would push my story forward in a fun and exciting way. I also do a lot of brainstorming with other writers. They help to push me to think of things in ways I never would have before. They help my stories to become better.
One thing to note is NO writer is the same. Every writer is going to develop their own methods and comfort zones for developing Story. It might even change with every story they write. If you are a new writer, spend some time studying writing craft and trying to plot out the various parts of your story. If you want to know more about story structure, I have a few posts on that on my Writing Resources Page under Story Structure.
Now, I’m off to let my characters look at my plan, laugh at me, and then go their own direction while I follow behind trying to make sense of their actions. At least every day writing is an adventure!
What questions do you have about writing and the writing process? Maybe your question will end up as a post. 🙂
by Crystal Caudill | Nov 24, 2021 | Writing Craft
Two of the most important things to realize as a writer are 1) Your first draft is going to be awful. That is what edits and revisions are for. 2) You need the help of others to push your story to become better than it would be on your own. This involves friends to brainstorm with, critique partners who read your work, and making suggestions on anything from storyline to sentence structure and grammar. Each critique partner will have different strengths. I’m really good at looking at the big picture and tightening up fight scenes. One critique partner is really good at helping me cut out unnecessary words. Another is super amazing at grammar and punctuation. Even when we’ve gotten it the absolute best we can make it , I send it on to a professional editor who takes it through everything from big-picture revisions to word-by-word edits. My book has passed through at least a dozen people’s eyes before ever going to publication, and even then, typos will happen. No book is ever going to be perfect, but you have to get it to the best you can, and then let someone on the outside look at it and help you push it to something even better than you could do on your own. Writing is both a solitary and team sport.
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Another thing you should know is there is a difference between revising and editing. Revisions are where you are looking at the big picture of the story. You are making sure that it fits story structure, the story makes sense, the characters are behaving in a believable way, your facts are correct, and that your story is engaging. Edits are were you zoom in and look a little closer. Is your sentence structure the best it could be? Are there better words you could use? Should this paragraph go somewhere else? Do you need to delete this part and expand on this part? Is your grammar and punctuation correct? There are all sorts of levels and nuances to this, but this is just the big picture look at what happens after you finish a rough draft.
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When you finish your rough draft for the first time, I recommend setting it aside for a week (or really a month) or more if possible. Giving yourself some distance from your story will allow you to see things you wouldn’t have seen before.Â
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Another important thing in writing books is realize you are never done learning. Good writers are constantly studying writing craft books, taking classes and workshops to improve themselves, and allowing others to sharpen them into better writers. This is a HUGE thing, honestly in whatever career you pursue. Learning is neverending. If you want a list of writing craft books, I can provide those.
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One last bit of information that is important when writing a book: Remember, your story will not be liked by everyone. It’s going to hurt when someone doesn’t like it–maybe even hates it–but the important thing to remember is everyone has different tastes.Â
by Crystal Caudill | Nov 24, 2021 | Writing Craft
How do you decide the setting?Â
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When choosing a setting you want to make sure it’s a location that makes it so if your story were set anywhere else, it wouldn’t work the same way. For example, in my book coming out in early 2022, my setting is set in Cincinnati during the flood of 1884. Without that flood, the climax of my story couldn’t happen. If I moved it to another time and location, my story would change.
The best advice I ever heard was to consider your setting a character. Your setting is going to influence your story, and you get to decide how. Think about how your story would be different if it were to take place in Winter instead of Summer, in a big city versus a small town. Figure out what your elements need to be, and pick the setting that will best support those needs and impact your characters.
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How do you pick the main character’s name?Â
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There are lots of ways I do this. Since I write historical, I look up the census records for the time period and region that I want to write in and sometimes pick from there. Sometimes a name just comes to me. Sometimes I look up the meanings of a name and have it connect to my character in a special way. Sometimes I just want to be humorous. For example, in my current story, I have a character who is murdered off screen very early in the story. I named him Mr. Farwell because it’s close to Farewell. Corny, but I get a chuckle out of it. 🙂 I also take into consideration the characters nationality, family heritage, and names that were common when they would have been born.Â
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How do you pick a book name?Â
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For books, I try to look for a theme, or even a single line that really resonates with the book. For my first book, Counterfeit Love, I (and thankfully my publisher) chose the title because counterfeit had multiple meanings to the story. Money, reasons for marriage, and where love comes from were all being counterfeited. Love was the main thing being counterfeited, so that is what we stuck with. The subsequent books are Counterfeit Hope and Counterfeit Faith. All these tie in with the theme and lessons of the book. Sometimes names, especially with cozy mysteries, have cutesy, whimsical, or even funny names. Search cozy mysteries on Amazon and you’ll get all sorts of funny, cheesy titles. You want to take into consideration your genre as well. If suspense, you want to have words that hint at suspense. Same with mystery, romance, and comdey.
by Crystal Caudill | Nov 24, 2021 | Writing Craft
Hi friends! I’m continuing my series, Ask the Author. Feel free to send your questions through the contact form and yours might end up on my blog. Don’t forget to check out my questions for you at the end.
Where do I start my story?
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I always end up writing more than I keep. Usually what happens is I write in a lot of unnecessary background, about a chapter or two, so that I have a chance to get to know my characters and the storyline a little more intimately. However, when I go back to edit, I have to ask myself where does the story actually begin? Where is it that my main character faces the incident that is going to send them on their “quest” to achieve their goal? In a mystery, you usually start with the crime happening or having just happened off-screen. Oftentimes, you start the story as the amateur sleuths are about to discover the crime has occurred. In a romance, it is often around the first time the characters meet, or if they already know each other, during the something that proceeds them being forced to be together more often than they would have been otherwise.Â
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When you start with too much background information, that is called an info dump. As a writer, we are told by those older and wiser than us that readers need that background information sprinkled in throughout the story. Readers are invested when they have questions they want to be answered. The character screams when she sees a picture of a snake. The reader might wonder, why is the main character deathly afraid of snakes? Later on, they find out an incident where someone dropped a pet snake on her that bit her… maybe even the hero if they were friends or enemies early on when they were kids. It all depends on how you want to build your story out and how you want the character to change over the course of the story.
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Bottom line is, don’t be afraid to delete words from your story. Sometimes you need to write it just for the sake of you as the author. Once you have that solid in your head, you can reevaluate your story for where the READER needs you to start your story. If it makes you feel better, you can cut and paste those lost words into a separate document labeled deleted scenes or scenes to use later. You may never look at those words again, but you will always have them. I promise you, a lot more writers than you think do this. Many of has have files and files of such documents.
by Crystal Caudill | Aug 23, 2017 | Writing Craft
Voice seems to be one of those elusive things I have encountered as an aspiring author. What is it? How do you know what your voice is? How do you know if it is unique? Until recently, I just avoided the whole issue because it seemed so convoluted.
But the day must come when we chase down that elusive concept in order to fully develop into who we are. So here it is, wrong or right, my own view and explanation of voice.
Author Voice:
An author’s voice is not one tangible element in a novel, it is the culmination of all the flavors an author brings to their writing. From genre choice, to settings, typical characters, humor, to even word choice – it all goes to develop a unique voice.
Take a look at this picture:
What story comes to your mind?
My first thought was a woman lying in bed, fumbling for a shoe to throw at the cat that never stops meowing out her window. Typical image? Yes, but give me time and I will develop it into a storyline that is unique. What if she killed the cat by accident? And what if it was her neighbor’s prize winner? Or even better, there was a note attached to it revealing a danger no one could have foreseen. Oh, so many ideas are skittering through my mind…
Maybe your first thought was a mystery, a ghost story, or something altogether different. Your author voice can change depending on your genre choice, and most of us tend to pick a particular genre and stick to it.
Three Examples:
Mary Connealy has a voice I love. She has humor focused on the cowboy days of the west. Her females are almost always strong, independent women with quirky ways. Her characters are always unique and at odds with each other. Whenever I pick up one of her books I know there will be an element of danger, sweet romance, a splash of humor, a cowboy setting, and characters that make me smile.
Jen Turano is another author with a unique voice. Whenever I pick up one of her books, I know they are going to take place in a city setting, with characters who are oddball in some way, danger will ensue, and hilarity prevails. When I need a good laugh, I turn to her or Karen Witemeyer.
My friend and critique partner, Joanna Davidson Politano, will be releasing her debut novel in October. While I won’t share details of her story now (you will have to wait until next month) Joanna has a voice that makes me swoon. Whenever I read her submissions, I know I will step into a Regency world clouded with mystery. Her books read like a mix of Bronte, Daphne Du Maurier, and Dickens. To read her work is to float through a world that entrances and intrigues, and I absolutely cannot wait for you to read her books!(Okay, swooning over.)
Bottom line, your voice is what a reader can expect to find when they pick up your book.
Finding Your Voice
Evaluate your writing. Do you notice certain trends? Are your stories dialogue heavy? Witty? Detail oriented? Do you add humor to your work? A little? A lot? Do you have odd ball characters? Do you choose a particular type of hero?
What settings do you tend to choose? Cities, the country, a particular region? Are they darker, brighter? Winter, Summer, Autumn, Spring? That can change with each book, but if you notice a particular trend, that just may be part of your voice.
Is your writing very formulaic or is it organic? Susie May Warren is very formulaic in her writing. She works in twenty chapter patterns and has a plan of what has to happen in each segment of her story. For others, there is no discernable pattern beyond the standard three-act plot.
By evaluating your writing, you can determine your strengths and weaknesses, elements that you want to refine and improve upon, maybe even elements you want to weed out of your writing altogether.
My voice is still developing, but I have decided that my voice includes a few elements: Danger and murder plots, women who are independent but get into lots of trouble, heroes who generally fall into the law enforcement category, clear villains, a splash of humor (although nowhere near the amount I thought I would have), and broken families. Forgiveness, redemption, and family are strong threads in what my stories encompass. Do I have a lot of work left? You betcha! Is my voice completely clear and finished? Nope, but I am working on it.
Now it is your turn to share. Comment below.
What do you want a reader to expect when they pick up your books? Have you discovered your own voice? Do you agree or disagree with my view of author voice? What would you add to this?
