A Tour of 1880s Philadelphia

A Tour of 1880s Philadelphia

Counterfeit Truth and Counterfeit Faith take place in Philadelphia, and while so much of the city has stayed the same, much of it has changed. In this tour, I’m sharing pictures of settings from Counterfeit Faith during my whirlwind two-day tour of Philadelphia. First off, did you know that Philadelphia is only two miles from river to river? I couldn’t believe how much they had cram-packed into that little space, but WOW. So, in reality, the majority of my story took place within two square miles. That really just blows my mind. So let’s take off.

Of course, Carpenters Hall was under construction when I went.

The Philadelphia Library, where Josiah first laid eyes on Gwendolyn as he came down those stairs.

Carpenters Hall is where we must start our tour because, of course, that is where Gwendolyn first starts out waiting for Mr. Farwell. You might have caught on to my intentional pun with his name if you’ve read the book. Poor Mr. Farwell must say farewell during the story, and I just couldn’t help myself. Nothing about Independence Park is the same as when Counterfeit Faith took place. In 1885, Carpenter Hall sat in the center of a city block surrounded by other businesses and buildings. There were a couple of alleys to access it, but there was no direct view. If you notice the cobblestone part of the walkway, that was approximately the size of the entrance between buildings to access Carpenters Hall.

 

It was while leaving this building that Josiah first laid eyes on Gwendolyn. It’s a good thing he did too, and more importantly, he noticed Quincy’s knife blade. It was at this location that everything was set into motion for two people to come together to rescue at-risk children, find love, and face more than their share of danger.  For a woman who is used to being ignored or having to rescue herself, Josiah’s heroic intervention sets her heart aflutter and stirs dreams of romance that she’d long thought dead. Personally, I was a little giddy getting to stand on these steps and imagine the heroic rescue as it occurred. Of course, some of the buildings have been moved, and things don’t look 100% the way they did, but it was close enough to really enjoy the experience.

 

Houses that look like Josiah’s would have.

While the gorgeous houses on Arch Street described in the book no longer exist, I did see some houses that are similar in style. They’re larger than some of the other homes I found, and they had those stoops, shutters, and arched doorways that I was looking for. It was the best match I could find, and my mind relished imagining Josiah and Gwendolyn conversing on those steps.

 

Josiah worked for the Secret Service, which had offices in the unfinished City Hall building. When Josiah was there, the tower would not have been finished yet, nor would the giant William Penn statue have been on display. He worked in the judicial wing, and his office was hidden behind numbers without signage. He would have taken one of the sets of floating stairs to get to his floor of the building. These were such an architectural phenomenon that Wanamakers, the department store across the street, sold pamphlets and tours to show off those stairs. As you can see below, no supports are beneath it, just solid pieces of granite worked into the wall. Originally I had Josiah nervous to walk on them, but after having walked them myself, I knew Josiah wouldn’t have had a problem. They are so beautiful and fascinating I had to include pictures of all three views of the stairs.

Going back to Wanamaker. I don’t know if you caught it in the story, but Wanamaker’s was the department store where Gwendolyn’s mother and aunt worked. It was one of the first of its kind, offering set prices, return policies, various departments, artwork as fine as you would find in a gallery, and service for all levels of customers. Wanamaker was a brilliant man who helped to change the way people shopped. No more dickering and haggling over prices. Everyone paid the same price for the same item. Wanamaker’s no longer exists, but the store is now a Macy’s. Believe it or not, Wanamaker made the bold move of buying a former train station to turn it into his department store. I’m not sure if this location was the original train station location, but it’s definitely taller than it would have been in 1885. Those other floors were added later.

 

I’ll end my tour with a nod to Felicity from Counterfeit Truth. One of my big goals of this trip was to eat a Philadelphia pretzel . . . but apparently, they aren’t as big now as they were during Felicity’s time. The ONE pretzel I found was a sore disappointment that had to be rectified by going to my favorite pretzel place when I got home. However, the Reading Market (I think?) DID have some chocolate ice cream for me to sample from Bassetts that I must heartily agree is amazing. The whole time I ate that giant cone, I thought of Felicity eating ice cream with Mr. Cochran. If you haven’t read that book yet, you can download a free copy by joining my newsletter or purchasing it on Amazon.

 

The Creation of a Cover & Cover Reveal

The Creation of a Cover & Cover Reveal

I’m excited to reveal to you today the cover of We Three Kings: A Romance Christmas Novella Collection. You’ll find the blurb and fun cover process below, but I wanted to let you know that Baker Book House has it (and all my books) for 20% off right now, so it’s a great time to order/preorder books.

Creating a Cover

The process of creating a cover rarely involves me beyond the initial form I fill out to my publisher of critical information about the story that might work its way onto the cover. Generally, other than seeing the final product and saying I like it, that’s about as involved with the process as I get. However, with the We Three Kings Romance Christmas Collection, the experience was very different.

The Draft

Cara Putman and Angela Ruth Strong are my co-authors in this collection, and all three of us were sent the cover asking for input on how it might be tweaked. Really the only element from our story on the cover other than the snow indicating winter/Christmas was the ornament of the three kings. The ornament is one that my characters buy at the end of the story, and it reappears in various forms in the other two stories. You can see the original cover they sent us below:

It wasn’t a bad cover, we just were afraid it wasn’t compelling enough for readers to pick up. Especially when compared with the previous novella collections in the series: Joy to the World and O’ Little Town.

These covers were stunning, in my opinion, and I felt like our cover didn’t match the “feel” of these other two. After tossing some ideas around with Cara and Angela, I decided I wanted to play in Canva, an image creation program. I’m a pretty tactile person, and this was how I process anything that requires a visual image. After talking with a friend who is a cover designer, one of the things I realized that was missing was that “aisle”  or framing feeling. The columns in Joy to the World draw your eyes to the house and up to the title. In O Little Town, you have the lamp posts creating that same sort of effect.

Playing Around

Using Cara and Angela’s suggestions, I brought in more trees to create the framing feeling. But in our conversation, we also brought up the fact that each of our stories has to do with some form of light. My story is “Star of Wonder,” Cara’s is “Beauty Bright,” and Angela’s is “Perfect Light.” And considering our stories connect to the three Weise (wise) men, the cover would probably benefit from having a star. I’m getting pretty savvy at using Canva with layering, and so after lots of playing with removing backgrounds and editing various features, this is the mock-up I came up with:

Making the layers match in coloring is something I’m still learning, and since this was just me playing around, I didn’t bother with even trying. I sent the mock-up to Angela and Cara but did not intend to send it to Kregel. I responded with some verbal tweaking ideas that we’d discussed, but I didn’t mention I’d created a mock-up or anything. Design is not something I have a lot of confidence in, and besides, it was more or less just playing for my own sake so I could communicate some suggestions without overstepping.

However, Angela added my mock-up to her email when she sent in her recommendations. I am so thankful for her boldness in doing that. It gave a much-needed encouragement boost, and Kregel’s response was equally encouraging. And I think you might understand why when you look at the two options they sent to us afterward:

Option 1:

While that was better than the first one, we unanimously agreed that the second option was the favorite. And now, I get to reveal the FINAL cover of We Three Kings: A Romance Christmas Collection.

 

Cover Reveal – the FINAL Cover

 

Didn’t they do a phenomenal job? AND LOOK!!! They took my playing-around mock-up and turned it into something beautiful!!!! I’ve always loved my covers from Kregel, but this one will always have a special place in my heart (and on my Christmas tree). God is so good to bless me with that sort of encouragement, and I am so grateful that He used Angela to place it into Kregel’s hands. Now we just have to wait for it to release in September. Want to know more about each of our stories? Here is the blurb and preorder links!


We Three Kings: A Romance Christmas Collection

In this Christmas collection, Weise men still seek Jesus–and love

Best-selling romance authors Caudill, Putman, and Strong follow three generations of the Weise family in this third collection of Christmas novellas from Kregel that will prove just as popular as the previous award-winning volumes.

“Star of Wonder” by Crystal Caudill
The Christmas-themed maiden voyage of his family’s grand steamer ship was supposed to be Aldrich Weise’s chance both to instill investor confidence and to romance Celestia Isaacs. Instead, he must foil a criminal and leave his lady love behind forever.

“Beauty Bright” by Cara Putman
Lieutenant Charles Weise served as a Monuments Man after World War II and now works to restore stolen art to rightful owners. Captain Lillian Thorsen pairs up with him not only to return treasures but also to fix the war-torn lives around them.

“Perfect Light” by Angela Ruth Strong
Essential oils mogul Brendon Wise is drawn to Lacey Foster, the event planner for his huge Christmas lights festival. But when he inadvertently makes a spectacle of her on television, Lacey wants nothing to do with him. Will a chance to give gifts to those in need at Christmas be the key to discovering common ground–and maybe love?

 

Preorder Links:  Amazon  |  Baker Book House  |  Barnes and Noble  |   Books-A-Million


What do you think of the cover and the process?

A Tour of Counterfeit Hope’s Story World

A Tour of Counterfeit Hope’s Story World

Why would I set a counterfeiting romantic suspense story in rural Indiana? As usual, research is the answer.

I discovered an article from 1883 describing the successful arrest of the Honchins (or Houchins, depending on the resource) gang by a joint effort of the Secret Service and US Marshals. The gang was responsible for not only counterfeiting but killing stock, stealing, and terrorizing the citizens with threats, insults, and violence. Even the local police were afraid to stand up against them. Stendal was the original town I was going to use, but I ended up creating a sister town next to Stendal so that I could set up the building locations and population to better suit my needs. While the original undercover Secret Service operatives spent months covering three or more counties, I needed to focus my area a little more confined for the sake of plotting. Below you can find information on two real locations from the story, including pictures of my visit to the real Stendal.

Stendal, IN

Stendal owes its beginnings to the St. Peter’s Lutheran Church which was formed in 1861. Services were held in members’ homes until 1864, when a church was built. In 1867, Reverend William G.C. Bauermeister became the first resident pastor. Land was donated to form the town, and he named it Stendal after his birthplace in Saxony.

As is usually the case with rural locations, modern-day Stendal is a shadow of the town it once was. While it was always small compared to other areas, it was once a booming little town. This was largely due to Stendal being many miles from any railroad or waterway with nearly impassible roads and trails, making it necessary to be a self-contained town.

From: A History of Lockhart Township by McKinley Hagemeyer

“Stendal at one time had a tobacco barn, a cooper’s shop, cobbler’s shop, two furniture and casket factories, two blacksmith shops, a millinery, a wagon works, a brickyard, a livery stable, a gristmill, a sawmill, a creamery, a flour mill, a canning factory, three churches, three doctors, an undertaker, a barber shop, a saddle and harness shop, and, of course, few towns would be self-contained without a saloon and hotel. Stendal had those too. The same causes which brought these industries drove them away: bad roads, poor transportation, plus another, automation. When the need for them passed, they too surrendered to progress.”
Photos of my trip to Stendal and photos of Stendal’s glory days.

Boonville, IN

One of my favorite parts of the Boonville setting was visiting the Boonville Jail. Well, visit it in fiction. I never had the pleasure of visiting it in real life. I know there was a big push to have the building restored in 2019, but there have been no more posts from the group pushing for it since then.

The Boonville Jail

The Warrick County Jail was built in 1876 and was state-of-the-art for its time. I had running water for sinks, toilets, and showers. The cells were made of straight and corrugated iron bars. The building had a large yard surrounding it and large windows with glazed glass. The jail was built in two sections. The main level of the front part held a food pantry, kitchen, parlor, and main hall. The upstairs was used as living quarters for the sheriff and his family and space to hold female prisoners. From my understanding, the kitchen had a steel door barrier to the prisoners, and it was the responsibility of the sheriff and his family to cook and serve meals to the prisoners. Meals were cooked for the prisoners and delivered to their cells.

The back half was one and a half stories tall with 12 prison cells. It had high arched ceilings for airflow and to prevent escape attempts. In each lighted and ventilated cell, there were two bunks, a sink, and a toilet. The walls were 22 inches thick and plated on the inside with boiler iron.  Below are a few pictures of the jail.

Here are some pictures of Boonville back in the 19th century.

 

 

 

 

 

 

The Gilded Age: What is it really?

The Gilded Age: What is it really?

It’s release month for Counterfeit Love and I thought it might be fun to share some of my behind-the-scenes research of the Hidden Hearts of the Gilded Age series. I’ll also be running a giveaway all month long with each Counterfeit Love / Secret Service post for your chance to win one of three prizes. Read through this post to the bottom to discover the details.


What is the Gilded Age?

When most people think of the Gilded Age, they generally think of the lavishly rich, fancy ball gowns and dinners, and New York. However the Gilded Age is so much more complex than that, and that’s why I love to write during this era.

The Gilde Age is actually a term coined by the ever sarcastic and famous satirical writer, Mark Twain, in a book he collaborated with Charles Dudley Warner on called The Gilded Age. The term Gilded Age was meant as a jab at the gross materialism and political corruption of his time. While everything was glittering, beautiful, and elegant on the surface, the moment one scratched at it, they’d discover gross corruption at the core. On a caricature level, the late 19th century was a period of massive immigration, socio-economic turmoil, rapacious Robber Barons, unscrupulous speculators, corporate buccaneers, shady business practices, scandal-plagued politics, and vulgar displays of materialism and wealth. This is one of the reasons why I love this era. It is so complex and intricate that I just never want to leave studying it.

While most people expect stories of the wealthy and elite when seeing “Gilded Age,” I love to take a look at it from the experiences of the varied classes and their experiences. There was a dark underbelly to the Gilded Age, and I love to explore it. However, I do like to see it from the perspective of the rich as well. It is like examing two very different worlds, and I find it incredibly fascinating.

A Period of Transition

During the 1870s, society as a whole was transitioning from largely agrarian to industrial–in part due to the repercussions of the Civil War and Reconstruction Era, and in part due to the massive innovations brought on by the Industrial Revolution. Many farmers and immigrants shifted to big cities to work in the factories that provided steady work and steady pay. The way businesses operated transformed and cooperations emerged with a focus on gaining the most profit possible at the cost of others. Labor unrest was a constant issue during the Gilded Age as corporations were treated as people rather than businesses, an especially terrible slap in the face to now freed slaves who were people but had only been considered property.

This was a period where Robber Barons emerged–people who because rich through often ruthless and unscrupulous business practices. Of course, not everyone who became rich met that definition, but this was largely the view of society outside the ranks of the upper-class society. These corporations had huge influences on politics, and often politicians were portrayed as merely being the puppets of those corporations. The period from 1870 to 1900 was marked by increased poverty, rising inequality, and bubbling discontent beneath the gilded filigree of society.

Big Picture Events and Issues

Image by jimo663 from Pixabay

While the “Wild West” will live on in infamy, it was during this period that the western frontier actually began to close. The open ranges were closed in by barbed wire fences. Millions of acres of land were snatched up and populated. Native Americans were confined to reservations and then pushed farther west onto new reservations. Treaties were made to the disadvantage of the people and another Trial of Tears occurred. In fact, part of my family’s heritage cannot be traced back any further than this time because of how much was lost in this tragedy.

Technology and communication exploded during the Gilded Age. Telephones, electricity, machines, even the mass-circulation of newspapers and magazines, redefined aspects of the United States in unprecedented ways. With technology came more leisure time for new sports and entertainment to be developed. Transporation grew exponentially, opening up the country to easy travel and new migration patterns. Over these years, horse-led transportation diminished as trains, automobiles, electric trolleys, and others were developed.

Mass immigration poured millions of people into country giving rise to anti-immigrant reactions. Limitations on immigration from certain places started to appear, and the grouping of immigrants arriving shifted to larger numbers of Hungarian, Italian, Polish, and Russian peoples. Often these unskilled workers sought out cities where they could work at factories, often for horrifically low pay.

I talked a little bit about big business already, but this period is when the modern American economy emerged. Our economy became more globalized, dependent on products from around the world to supply the materials needed. Small businesses were consolidated and bought out. It was a dynamic time of wealth and poverty.

Politics too played a significant role during this time. The 1880s and 1890s especially were years of turbulence. Political conflicts were constant with corporations having an influencing hand in many areas. Farmers and laborers fought for fair representation and support against those corporations who they felt took advantage of them. You also have the beginnings of suffragist and civil rights movements.

Why I Write Gilded Age

As you can see, there is just SOOOO much conflict and depth that can be mined from this time period. I love looking at all the different perspectives and challenges that were faced by the people. So while you might think of all that glitters when you see the words Gilded Age, know that it is so much more than that, and I hope to bring some of those aspects and struggles to life in my stories.

A Second Gilded Age

Something I found interesting in my research is that the term Gilded Age has been applied to our current era by many different sources. There are parallels, but not completely. I just thought it fascinating, and if you’d like to read a succinct article on some of that, you can visit the History Channel’s article about it here.


Your chance to comment: What sort of things do you think of when you hear “Gilded Age” in relation to a fiction story?


Enter the Rafflecopter below to be entered to win one of three prizes: (Grand prize) – A signed copy of Counterfeit Love with a book sleeve made by my Momma, a toe bag with story-related prizes inside, (2nd prize) – A signed copy of Counterfeit Love with a book sleeve made by my Momma, socks, and a bookmark, (3rd prize) A signed copy of Counterfeit Love with a book sleeve made by my Momma and a bookish zipper bag. Entries run from March 1st to March 31st, 11:59pm EST. *Open to those legally able to enter, U.S. residents only for the physical prizes, international winners will be given a prize of equal value to whichever level they win.*

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How do you plan a book’s storyline?

As I’m still trying to read through my book for the challenge, I’m going to post another answer to one of the questions a local 8th grader posed to me during her “Ask an Expert” project. As a reader, I thought you might find it fascinating, and if a writer, I thought it might be helpful. So here’s this month’s question:
 

How do you decide how to form the book? Notes, pre-made plans, etc? 

In the writing world, we have two classifications (technically three) of writers. Plotters, pantsers, and what I like to call plansters.
 
Plotters are the people who plan out every event that is going to happen in their book before they write it. They look at the structure of story, and determine what needs to happen when. Some do high-level plotting and just look at major turning points in the story. Others go down to the nitty-gritty of what will happen in every scene of the book.
 
Pantsers are those who sit down and write without anything more than a general idea in their head. They see where the story takes them, which can mean lots of revisions and edits as they get rid of rabbit trails or dead ends from the book. These writers tend to have a natural feel of story, and I really recommend new writers don’t just sit down and write. Try to think through the story and plot things out so that you can learn to understand the important elements of Story and when they happen. I spent two or three years studying story structure and plotting things out before I discovered that plotting wasn’t how my brain worked.
 
Plansters is a category name of my own making . We are the rogue black sheep of the writing world. We want to be plotters, but our characters just won’t allow us. I’ve discovered I cannot plan out an entire book even on a high level without my characters taking over, laughing in my face, and taking the story in a different direction than I expected. What I have discovered is I can do a high-level plan of where I need my characters to be in the next 1/4 to 1/3 of the story.
For right now, I’m shooting for my hero to join the board of a house of refuge where possible counterfeiting may be taking place so he can investigate the institution. However, I only have general ideas of what is going to happen to get him there or the order of those general ideas. So as a Planster, I am working toward that goal, but often sit down with no idea of what is going to happen in the scene I am writing until it ends up in words in front of me. This makes for slower writing, but I enjoy it. 
 
All writers do brainstorm though. Before I sit down to write or plan, I’ll think through: What are the possibilities of this chapter? What are the promises to the reader that I need to fulfill? Are there clues I need to drop? What problems need to happen? What is expected in this chapter? What would be unexpected? I don’t always do it, but when stumped, I’ll write down every single idea that comes to my head, whether ridiculous or not and push until I have no other ideas. Then I look back at my list for anything that might be unexpected and would push my story forward in a fun and exciting way. I also do a lot of brainstorming with other writers. They help to push me to think of things in ways I never would have before. They help my stories to become better.
One thing to note is NO writer is the same. Every writer is going to develop their own methods and comfort zones for developing Story. It might even change with every story they write. If you are a new writer, spend some time studying writing craft and trying to plot out the various parts of your story. If you want to know more about story structure, I have a few posts on that on my Writing Resources Page under Story Structure.
Now, I’m off to let my characters look at my plan, laugh at me, and then go their own direction while I follow behind trying to make sense of their actions. At least every day writing is an adventure!

What questions do you have about writing and the writing process? Maybe your question will end up as a post. 🙂

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